Winemaker Ariki HillJuly 2017 A new batch of wines from 2014 and 2015 In March of 2017, we bottled the bulk of 2015 wines. Namely, the Pinot Noir and Chardonnay. We also bottled the Estate wines from 2014, which always benefit from the extra time in the barrels. As winemaker, I see vintages constantly, and look at parallels between current and past vintages, and I make mental predictions as to how a vintage might mature based on previous seasonal experiences. By trying to keep the winemaking constant (within reason), the only outlying factors are picking dates and climatic conditions. Sure, there will be those who suggest a multitude of other variables, but I’m keeping it simple. The 2015 vintage stands out to me for being one of the last years of the extended drought, which also took a heavy toll on yield; simply, a low yield vintage. By comparison, 2016 was also affected by the continued drought, but yields were significantly up and more to the average. More on the 2016 vintage in a later update. Regarding the 2015 vintage, it’s easy to generalize, but the reality is some areas fare better than others, i.e. better access to water, wind breaks, etc. Tantara has grape sources that extend from Lompoc in the Santa Rita Hills to Santa Lucia Highlands, a total distance of 180 miles. Broadly speaking, in 2015 the yields were down, predominantly due to shatter (a condition where individual berries in a bunch fail to develop, often made more prolific by frost, rain or extreme winds). The result is lower yield and in many cases, an earlier vintage due to less fruit per vine to ripen. The 2014 Estate and 2015 single vineyard Pinot Noir and Chardonnays have now been in bottles for 4 months, at witch point they begin to show true expression and are finally released from the shackles of sulphur additions, filtration and mechanical transfer from tank to bottle, a period we call “bottle shock”. My observation from tasting through the new bottling: Whites – refined and concentrated with flavor profiles in the ripe pear, white peach and nectarine. There is less tropical fruit and perceived sweet characters than previous vintages. Reds – Pinot Noir: Solid concentration with extended tannins mostly in the red fruit/black fruit spectrum. There is some lingering fruit sweetness, which suggests cherry cordial, and liqueur on several of the SRH wines. The Dierberg Pinot Noir is a personal favorite. Estate Reds – 2014 Cabernet Franc: definitely bold and assertive with subtle oak accents similar in style to 2013.2014 Syrah: bold new world style with opulent black fruit and huge mouth filling generosity and smoky oak tannins. June 2014
By Winemaker, Ariki Hill
The beginning of June is an exciting time of year for many reasons...
Firstly, as a winemaker, it signals the first period of warmer weather where the wines begin to come out of hibernation. The gentle hiss of trapped CO2 as the bungs are loosened, and any remaining sugar or malic acid is quietly metabolised. We start to see the wines develop their varietal character versus the previously primary, grapey flavours initially present. We also start to pick favourite barrels which have potential to finish in a single vineyard cuvee but also consider those barrels where the new oak makes a bold statement and could be allocated to other cuvees. The style of Tantara wines is such that we keep each barrel as complete as possible. This is achieved by a single rack from barrel to barrel during June & July which serves to remove the wine from the settled lees. The wines tend to throw off awkward reductive flavours and become more fruit driven. After that, the regular maintence is topping, sulphur additions and regular tastings.
We also turn our attention to the vineyards which at this point are in full growth phase. Beginning June, frost risk has passed and we are able to evaluate fruit set. Having tasted the previous vintage wines in barrel we review our contractual obligation with our various vineyard sources and add or remove options with quality and economics in mind. An example might be a reduction or increase of tonnage or the introduction of a new clone or even a new variety.
We follow this up with a visit to the vineyards usually with the grower / vineyard manager in tow. We make reference to the previous vintage, what worked and what didn’t . We make a mental note of the early crop levels and potential disease conditions and make foolhardy predictions about drought, rainfall , heat.. pretty much anything really...
WINERY.. The new Marsannay french oak barrels are really good..lower impact while respecting fruit
...Dierberg & Bentrock Pinot Noir , Zotovich Chardonnay.. at this early point , they have me excited
.. continue to be amazed by the quality and intensity of fruit from Ingeborg / Mateos vineyard in Santa Ynez
VINEYARD..rain and heat in April & May gave everything a good growth push including weeds
... some shatter in pinot and chardonnay ( non fertile berries ) which I don’t think is a bad thing..
... solid crop loads but not as heavy as 2013..some lots are very light ...ie Rio Vista Calera clone..February 2013 Send In the Clones By Founder, Bill Cates So what’s the deal with clones and Pinot Noir? I often hear this question from visitors to the winery who say clones are never mentioned with regard to other grape varieties. Producers of cabernet sauvignon or merlot or Syrah or chardonnay don’t talk up clones. But get near a pinot producer and he or she will rattle on about clonal variation and the clones of pinot used in their wine. So here’s the skinny on clones. Pinot Noir vines are more prone to mutation than other major varietals. And why is this? The usual answer is that Pinot is the oldest grape variety producing premium wine. Which begs the question – what does age have to do with it? Well, Pinot hasn’t had sex for a long long time. Maybe a few thousand years. It isn’t propagated by grape seeds but by cuttings from the vine. And over those many years, the world has changed and the vines needed to change in response. Climate changes, pests and disease, solar radiation, air pollution, mineral depletion of the soil and other environmental factors have stressed the vines into a response which has produced well over a 1000 clonal variations of the parent vine. By comparison cabernet sauvignon has (at last count) 19 identified clones. There are about fifteen clonal varieties that seem suited to California. The clones we have relied on for our Tantara Pinots are: Pommard, Martini, Mount Eden, Calera, Wadenswil (aka, 2A) and the Pisoni clone. Then we go into the prosaically numbered clones. Numbers do not do justice to their superb quality. Dijon clones 115, 667, 777 are becoming the workhorses in Pinot vineyards. Recently we made Pinot from clone 459 and we were dazzled. This wine (from Tondre Vineyard) will be released this spring. Another recent clonal addition for us is clone 114 (from Zotovitch Vineyard). It’s from the 2012 harvest so we are waiting to see whether it will work best for blending or will it be a stand-alone. Thanks to all this clonal variation we can mix and merge, blend and bless for a complex coalescence of aromas and flavors. Sometimes an individual clone produces such a delightful wine we let it stand alone as with our Old Vine from the Pommard clone with its bright red fruit driven aromas. The Pisoni clone is another that has such sensuous qualities that it, too, can and should stand alone without the admixture of any other clone. Our Adobe Pinot has been a blend of four clonal varieties – 2A, 115, 667 and 777 providing for inviting complexity while our Corral is made from just the 777 clone giving it a luscious focused richness and depth. When people ask me if I could have only one clone, which would it be? I have to think a moment between the 115 and the 777. Most days I’d go with the 115. Now if it just had a poetic name.